Today in 1951, Johnny Rodriguez was born in Sabinal, Texas. He became country’s first mainstream star of Hispanic descent, emerging out of Tom T. Hall’s band in 1972. He recorded numerous songs in Spanglish, with a line of hits that stretch from 1972-1983.

Growing up in Sabinal, Rodriguez was a good student in school and an altar boy for his church. He was also the captain of his junior high school football team. When Rodriguez was 16 years old, his father died of cancer, and his older brother, Andres, died in an automobile accident the following year. The two incidents had an effect on Rodriguez and he became a troubled teen. In 1969, at age 18, Rodriguez ended up in jail. He sang frequently in his cell and was overheard by Texas Ranger Joaquin Jackson, who was very impressed and told promoter “Happy” Shahan about him. (The common story told is that he was arrested after he and some friends were caught stealing and barbecuing a goat, although Jackson would later state that Rodriguez was in jail simply for an unpaid fine.)

Shahan then hired Johnny to perform at his local tourist attraction called the Alamo Village. During one of his sets in 1971, he came to the attention of country singers Tom T. Hall and Bobby Bare, who encouraged the young singer to go to Nashville, Tennessee.

The 21-year-old singer arrived in Nashville with only a guitar in his hand and $14 in his pocket. Hall soon found work for Rodriguez fronting his band, as well as writing songs.

Less than one year later, Hall personally took Rodriguez to the heads of Mercury Records’ Nashville division to land him an audition with the record label. After performing the songs “I Can’t Stop Loving You” and “If I Left It Up to You,” he was offered a contract with Mercury. He signed and began recording in their Nashville studio.

After signing with Mercury, Rodriguez was soon on the way to becoming famous. His first single to be released for Mercury was 1972’s “Pass Me By.” This recording was a big success, going to No. 9 on the Hot Country Songs list that year, and making him a country star overnight. Rodriguez became the first well-known American of Mexican descent as a country singer. (Freddy Fender achieved fame a few years later, in 1975.)

In 1972 Rodriguez was voted the Most Promising Vocalist by the Academy of Country Music. The next year, he achieved his first No. 1 hit song, “You Always Come Back to Hurting Me.” Another song that year, “Ridin’ My Thumb to Mexico,” was also a No. 1 hit. Both his No. 1 hits charted on the Pop charts, but only moderately. Rodriguez wrote some of his own material such as the song “Ridin’ My Thumb to Mexico.” In 1973, his debut album was released, which rose to No. 1 on the “Top Country Albums” chart. He was nominated for Male Vocalist of the Year by the CMA Awards. In addition to his success in country music, he also had a role on the television show Adam-12 and also made a guest appearance on The Dating Game in 1974. He also began to appear on talk shows.

The year 1975 was probably his biggest year, in terms of chart success. That year all three singles he released soared to No. 1 on the country charts: “I Just Can’t Get Her Out of My Mind” “Just Get Up and Close the Door,” and “Love Put a Song in My Heart.”

Rodriguez’s success on the country charts continued throughout much of the 1970s. He recorded songs not only written by himself around this time, but also covers of songs such as George Harrison’s “Something,” Linda Hargrove’s “Just Get Up and Close the Door,” Mickey Newbury’s “Poison Red Berries,” and Billy Joe Shaver’s “Texas Up Here Tennessee.” By 1975, Rodriguez was considered a member of the outlaw country market in country music, like fellow musicians Bobby Bare and Tom T. Hall.

Despite the outlaw movement fading from view in the late 1970s, Rodriguez was determined to stay on top of his game. In 1979, he switched to Epic Records. Under Epic, he worked with the legendary producer Billy Sherrill, who produced some of the biggest names in the business at the time. His first hit from Epic came that year with the No. 6 country hit, “Down on the Rio Grande.” His debut album from the record company was entitled Rodriguez. All the songs from the album were cover versions.

Although Rodriguez did not make the Top 10 continuously as in the past, he managed to stay in the Top 20, with hits like “Fools For Each Other” and “What’ll I Tell Virginia.” At the same time, Rodriguez continued to be a popular concert attraction. However, Rodriguez was also having personal problems. In 1982, he did a duet with Zella Lehr on the song “Most Beautiful Girl (La Chica Mas Linda).” The single was released by Columbia Records. In 1983, he went into the Top 5 with the hit song “Foolin’,” followed by the Top 10 hit “How Could I Love Her So Much.” However, by the mid-80s, he was becoming less successful. In 1986, he left Epic Records.

In 1987, he signed with Capitol Records for a brief period of time. He had his last major hit in 1988 with “I Didn’t (Every Chance I Had),” which reached No. 12 on the country charts. By 1989, he left Capitol Records.

In August 1998, Rodriguez shot and killed a 28-year-old acquaintance in his Texas home, believing the man to be a burglar. In October 1999, he was acquitted of murder by a jury.

Overall in the course of his career, Rodriguez released 26 albums and 45 charted singles. He has also had six No. 1 hits on the country charts.

In 1993, he recorded an album for Intersound Records called Run For the Border. In the mid-1990s, the indie label High-Tone released his album You Can Say That Again. He continued to tour around the country during this time. In 1996, he turned to another label, Paula Records, which issued a single called “One Bar At a Time”, but it was unsuccessful. By this time his musical presence was fading from the public view, as more neo-traditional country singers were making hits on the country charts, like Garth Brooks, Randy Travis, and Dwight Yoakam.

Source: Wikipedia

Today in 1999, Brad Paisley guest starred on the “Woman’s Day Holiday Special with Florence Henderson” on TNN. Brad wasn’t really interested in holiday crafts — he just wanted to meet Florence, better known as Mrs. Brady from “The Brady Bunch.” With Lari White and Lee Roy Parnell also on the show, they all helped Florence bake gingerbread cookies. At the time, Brad said that if anyone had told him a year before that he’d be baking cookies on TV with Carol Brady and Lee Roy Parnell, he would’ve thought they were crazy.

Today in 2016, both Maren Morris and Kelsea Ballerini were nominated for Best New Artist in the GRAMMY Awards. Why was this so special? It was the first time in history that two artists being actively marketed to country were finalists for that trophy in the same year. The trophy ultimately went to Chance The Rapper.

Born on this day in 1967, Gary Herzberg was born in Montebello, California. Under the stage name Gary Allan; the scratchy-voiced singer debuted in 1996, with hits like “Smoke Rings In The Dark,” “Watching Airplanes,” and “Every Storm (Runs Out Of Rain).”

Today in 1956, Elvis Presley, Carl Perkins, Johnny Cash, and Jerry Lee Lewis posed for a photo at the Sun studio in Memphis. The foursome conducted an impromptu jam session, which was dubbed “The Million Dollar Quartet.”

An article about the session was published in the Memphis Press-Scimitar under the title “Million Dollar Quartet”. The recording was first released in Europe in 1981 as The Million Dollar Quartet with 17 tracks. A few years later more tracks were discovered and released as The Complete Million Dollar Session. In 1990, the recordings were released in the United States as Elvis Presley – The Million Dollar Quartet. This session is considered a seminal moment in rock and roll.

The jam session seems to have happened by pure chance. Perkins, who by this time had already met success with “Blue Suede Shoes”, had come into the studios that day accompanied by his brothers Clayton and Jay and by drummer W.S. Holland, their aim being to record some new material, including a revamped version of an old blues song, “Matchbox”. Sam Phillips, the owner of Sun Records, who wanted to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, Jerry Lee Lewis, still unknown outside Memphis, to play piano (at the time, a Wurlitzer Spinet) on the Perkins session. Lewis’s first Sun single would be released a few days later. Sometime in the early afternoon, 21-year-old Elvis Presley, a former Sun artist now with RCA Victor, arrived to pay a casual visit accompanied by a girlfriend, Marilyn Evans.

After chatting with Phillips in the control room, Presley listened to the playback of Perkins’s session, which he pronounced to be good. Then he went into the studio and some time later, the jam session began. At some point during the session, Sun artist Johnny Cash, who had recently enjoyed a few hit records on the country charts, arrived as well. (Cash wrote in his autobiography Cash that he had been first to arrive at the Sun Studio that day, wanting to listen in on the Perkins recording session.) Jack Clement was engineering that day and remembers saying to himself “I think I’d be remiss not to record this,” and so he did. After running through a number of songs, Elvis and girlfriend Evans slipped out as Jerry Lee pounded away on the piano. Cash wrote in Cash that “no one wanted to follow Jerry Lee, not even Elvis.” Whatever Elvis’s feelings may or may not have been in regard to “following” Lewis, Presley was clearly the “star” of the impromptu jam session, which consisted largely of snippets of gospel songs that the four artists had all grown up singing. The recordings show Elvis, the most nationally and internationally famous of the four at the time, to be the focal point of what was a casual, spur-of-the-moment gathering of four artists who would each go on to contribute greatly to the seismic shift in popular music in the late 1950s.

During the session, Phillips called a local newspaper, the Memphis Press-Scimitar. Bob Johnson, the newspaper’s entertainment editor, came over to the studios with UPI representative Leo Sora with photographer George Pierce. Johnson wrote an article about the session, which appeared the following day in the Press-Scimitar under the headline “Million Dollar Quartet”.

Source: Wikipedia