Kacey Musgraves has certainly had a busy few years, and she’s looking forward to taking a break and just “live life.” In fact, Kacey says it may be awhile before fans get new music, but time off will be good for her songwriting.

“I need to fill up the song bank again,” she tells “Entertainment Tonight. “I’m going to travel for fun for once… I’m excited to fill the inspiration tank back up, because that always serves me right. Whenever I let myself pause [and] take a second, I benefit from that, and that’s kinda what I need.”

She adds, “I love being at home hanging out with my horse, hanging out with my husband, and that always gives me song ideas.”

As for the holidays, Kacey says she and hubby Ruston Kelley plan to make it “as low key as possible,” adding, “There’s nothing fancy. It’s all sweatpants, hanging out with dogs, eating just whatever I can fit in my mouth.”

Garth Brooks stopped by “Good Morning America” yesterday to discuss his upcoming A&E documentary “Garth Brooks: The Road I’m On,” which is set to air December 2nd and 3rd as part of what the network is calling “Garth Week”

“To see it all kind of put within a period of time on TV it all kind of comes as fast as it did when you were living it,” Garth said. “Every artist should get this wonderful treat to get to sit down and look at the things you got to be a part of and enjoy it.”

In addition to focusing on his career, the documentary delves into Garth’s family life, and his ex-wife Sandy is even interviewed. He says those personal scenes definitely touched him while watching. “You can’t help but sit there and cry and weep. But it’s good,” he shares. “It’s one of those things that once everybody sees it on our side, we’re all going to get a lot tighter afterward too because you get to hear things that maybe you’ve been running too fast to say to each other.”

Garth also discussed his recent CMA win for Entertainer of the Year, and he admits even he thought Carrie Underwood was going to walk away with the award. “It was the year of the women so we were all expecting Carrie anyway and she justly deserved it as well as the other nominees,” he said, admitting that he was caught off guard when he won. “We were sitting there talking [and] boom, your name gets called and you don’t have anything prepared or nothing, so you pretty much just tell them what you thought of the show.”

Source: Good Morning America

Luke Combs’s latest album “What You See Is What You Get,” tops the all-genre “Billboard” 200 Album chart, so of course that means he also tops the Top Country Album chart this week.

The album is now Luke’s third Country Album number one, and his sales were helped by a concert ticket/album bundle.

Luke previously topped the Country Album chart with his debut album, “This One’s For You,” which spent 50 weeks at number one, tying Shania Twain’s record for the most weeks on top. He also went to number one with his EP “The Prequel.”

Luke also holds the number one song on the Country Airplay chart with “Even Though I’m Leaving,” making it his record-extending seventh straight career-opening number one.

Elsewhere on the chart…

Dan + Shay’s “10,000 Hours,” featuring Justin Bieber, tops the Hot Country Songs chart for a sixth week.

Thomas Rhett’s “Remember You Young” lands at six on the Hot Country Songs chart this week, his 14th Top Ten hit.

Lady Antebellum’s “What If I Never Get Over You” jumps to seven on the Hot Country Songs chart, their 14th Top Ten hit.

Jon Pardi’s “Heartache Medication” is at seven on the Country Airplay chart, his fifth Top Ten hit.

Dustin Lynch has his sixth Country Airplay Top Ten with “Ridin’ Roads,” which is at 10.

As we previously told you, Taylor Swift recently went public about her ongoing feud with Scott Borchetta and Scooter Braun, claiming they won’t allow her to perform her old songs on the American Music Awards, and they’ve refused to okay the use of her music in an upcoming Netflix documentary. Well, now the two men have fired back.

In a statement they say they are “shocked” by Taylor’s claims, noting, “At no point did we say Taylor could not perform on the AMAs or block her Netflix special.” They also add, “we do not have the right to keep her from performing live anywhere,” and they insist that since her departure from Big Machine Label Group they “have continued to honor all of her requests to license her catalog to third parties as she promotes her current record in which we do not financially participate.”

They also claim Taylor owes them “millions of dollars and multiple assets to our company,” and suggests they almost had a deal to settle all their issues before Taylor “made a unilateral decision last night to enlist her fanbase in a calculated manner that greatly affects the safety of our employees and their families.”

They added, “Taylor, the narrative you have created does not exist. All we ask is to have a direct and honest conversation.”

But Taylor’s rep is shooting down their statement, and even provided emails proving that Big Machine denied her license request for the AMAs, Netflix and even her recent Alibaba Singles day concert. The rep notes that Taylor stuck to songs from “Lover” because of the denial. The rep adds, “Scott Borchetta… flatly denied the request for both American Music Awards and Netflix.” They also deny suggestions Taylor owes the label money, and adds the label actually owes her “$7.9 million of unpaid royalties over several years.”

As for those possible threats to Braun and Borchetta, one report claimed Braun’s Nashville office was closed Friday because of threats received based on Taylor’s post. The Blast claims in one instance a “voicemail was left for an employee with their exact address and a threat to kill them at their home,” while another person threatened to “shoot up the place.”

Source: Rolling Stone