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Jake Owen Writes Song About “Bachelorette” Hannah Brown

Jake Owen is apparently a fan of “The Bachelor” and he isn’t at all down with “Bachelorette” Hannah Brown’s return to the show. In fact, he’s so against he actually wrote a song about it.

“Monday night, my girlfriend had the TV on and all you heard about on the new ‘Bachelor’ was Alabama Hannah, it was just Alabama Hannah everywhere,” he shared. “She won’t go away.” Jake shares that he met Hannah when he performed “Made For You” on “The Bachelorette,” and called her a “cool girl,” insisting his rant wasn’t “a dig at actual Alabama Hannah.”

Jake then shared his tune, which is written from “Bachelor” Peter Weber’s point of view, singing, “Alabama Hannah, what do you want? / If it’s love that you need, well then honey, it’s gone,” adding, “You had your chances, so won’t you leave me alone. / Alabama Hannah, won’t you go on back home.”

Jake insists the song is not a diss of Hannah, and she doesn’t seem to be bothered by it. “Well, this is one way to get a song written about you. This is some catchy shade @jakeowen,” she shared in a tweet, later adding on Instsagram Story, “It’s hilarious and even though it’s like a diss at me the whole time, I was tapping my foot along to it and laughing. You need to check it out!,” adding, “Jake, let me know when you need me for the music video.”

 

This day in 1968: Johnny Cash records the live album, “Johnny Cash At Folsom Prison”

Today in 1968, Johnny Cash recorded the live album, “Johnny Cash At Folsom Prison” in California – he remade “Folsom Prison Blues” in the process. Also on hand – June Carter, The Carter Family, Carl Perkins and The Statler Brothers.

Despite little initial investment by Columbia, At Folsom Prison was a hit in the United States, reaching number one on the country charts and the top 15 of the national album chart. The lead single, a live version of “Folsom Prison Blues”, was a top 40 hit, Cash’s first since 1964’s “Understand Your Man”. At Folsom Prison received positive reviews and revitalized Cash’s career, becoming the first in a series of live albums recorded at prisons that includes “At San Quentin” (1969), “På Österåker” (1973), and “A Concert Behind Prison Walls” (1976). The album was re-released with additional tracks in 1999, a three-disc set in 2008, and a five LP box set with bonus rehearsals in 2018 for Record Store Day. It was certified triple platinum in 2003 for US sales exceeding three million.

The album release of At Folsom Prison was prepared in four months. Despite the recent success of “Rosanna’s Going Wild”, a Cash single released just before the Folsom concerts that reached number two on the country charts, Columbia initially invested little in the album or its single “Folsom Prison Blues”. This was due partially to Columbia’s efforts to promote pop stars instead of country artists. Nevertheless, the single charted on the Billboard Hot 100 on May 25, 1968; it also hit the country charts a week later. The single suffered a setback, however, when Sirhan Sirhan assassinated Senator Robert F. Kennedy on June 5, 1968. Radio stations ceased playing the single due to the macabre line: “I shot a man in Reno/Just to watch him die”. Reeling in the success prior to the assassination, Columbia demanded Johnston remix the single with the line removed. Despite protests from Cash, the single was edited and re-released. The new version became a success, reaching number one on the country charts and the top forty on the national charts. The single prompted the album to climb the album charts, eventually reaching number one on the Top Country Albums chart and number thirteen on the Pop Albums chart—the forerunner to the Billboard 200. By August 1968, Folsom had shipped over 300,000 copies; two months later it was certified gold by the Recording Industry Association of America (RIAA) for shipping over 500,000.

Source: Wikipedia

Zac Brown Band Announce “Roar With The Lions Tour”

Zac Brown Band has made their summer plans. The band just announced dates for the brand new “Roar With the Lions Tour,” which kicks off with two shows in Gilford, New Hampshire, May 24th and 25th.

“Our summer tour is inspired by the folklore surrounding the figure of the lion,” Zac shares. “I am a Leo, and all of the guys in the band are lions. They exemplify strength, courage, intelligence, and loyalty, and work in tandem to defend their territory and one another.”

He adds, “The crowd is our pride – rooted in togetherness and fiercely loyal. They always show up for each other, no matter what, just like our fans always show up for us. We can’t wait to hear you roar with us!”

The trek, which includes shows at New York’s CitiField, and Chicago’s Wrigley Field, will wrap October 18th in Vancouver, British Columbia. It will feature special guests Greg Alan Isakov and St. Paul and the Broken Bells on select dates. Check out the first few dates below and click here for a complete schedule.

May 24 & 25: Gilford, NH – Bank of New Hampshire Pavilion
May 29: Mansfield, MA – Xfinity Center
May 30: Hartford, CT – XFINITY Theatre
May 31: Syracuse, NY – St. Joseph’s Health Amphitheater at Lakeview
June 4: Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach
June 5: Charlotte, NC – PNC Music Pavilion
June 12: Toronto, ON – Budweiser Stage
June 13: Saratoga Springs, NY – Saratoga Performing Arts Center
June 14: Darien, NY – Darien Lake Amphitheater
June 18: Burgettstown, PA – S&T Bank Music Park
June 19: Camden, NJ – BB&T Pavilion

 

Dolly Parton Has Planned Ahead For After She’s Gone

We don’t want to think about a world without Dolly Parton, but apparently Dolly has. In case you missed it, the singer revealed during her “Dolly Parton’s America” podcast that she has tons of songs banked up so there will still be new Dolly music after she’s gone.

“There’s enough stuff to go on forever with my music, to do compilation albums, to do, actually, new and original stuff, and I am purposely trying to put songs down for that very purpose,” she shared. “To have a click track and my vocals, to where any arrangement can be done. So I think ahead.”

She adds, “Anybody could produce that. Anyone, any producer in the world — a hot shot producer, when I’m gone, they could take my songs, …and build a complete arrangement around that,” noting, “So that will go on forever.”

As for why she’s thinking so far ahead, she offers, “I’m one of those people that believe in being prepared. I don’t ever wanna leave my stuff in the same shape like Prince, or Aretha Franklin, or anybody that don’t plan ahead.”

 

This day in 1960: Patsy Cline becomes a member of the Grand Ole Opry.

Today in 1960, Patsy Cline became a member of the Grand Ole Opry.

Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 – March 5, 1963) was an American singer. She is considered one of the most influential vocalists of the 20th century and was one of the first country music artists to successfully crossover into pop music. Cline had several major hits during her eight-year recording career, including two number-one hits on the Billboard Hot Country and Western Sides chart.

Cline’s first professional performances began at the local WINC radio station when she was fifteen. In the early 1950s, Cline began appearing in a local band led by performer Bill Peer. Various local appearances led to featured performances on Connie B. Gay’s Town and Country television broadcasts. It also led to the signing of her first recording contract with the Four Star label in 1954. She had minor success with her earliest Four Star singles including “A Church, A Courtroom and Goodbye” (1955) and “I’ve Loved and Lost Again” (1956). In 1957 however, Cline made her first national television appearance on Arthur Godfrey’s Talent Scouts. After performing “Walkin’ After Midnight”, the single would become her first major hit on both the country and pop charts.

Cline’s further singles with Four Star Records were unsuccessful, although she continued performing and recording. After marrying in 1957 and giving birth in 1958, she moved to Nashville, Tennessee to further her career. Working with new manager Randy Hughes, Cline would become a member of the Grand Ole Opry and then move to Decca Records in 1960. Under the direction of producer Owen Bradley, her musical sound shifted and she achieved consistent success. The 1961 single “I Fall to Pieces” would become her first to top the Billboard country chart. As the song became a hit, Cline was severely injured in an automobile accident, which caused her to spend a month in the hospital. After recovering, her next single release “Crazy” would also become a major hit.

Between 1962 and 1963, Cline had hits with “She’s Got You”, “When I Get Through with You”, “So Wrong” and “Leavin’ on Your Mind”. She also toured and headlined shows with more frequency. In March 1963, Cline appeared at a benefit show in Kansas City, Missouri. To return home, she boarded a plane along with country performers Cowboy Copas, Hawkshaw Hawkins and manager Randy Hughes. Upon hitting rough weather, the plane crashed outside of Camden, Tennessee, killing all those on board.

Since her death, Cline has been cited as one of the most celebrated, respected and influential performers of the 20th century. Her music has influenced performers of various styles and genres. She has also been seen as a forerunner for women in country music, being among the first to sell records and headline concerts. In 1973, she became the first female performer to be inducted into the Country Music Hall of Fame. In the 1980s, Cline’s posthumous successes continued in the mass media. She was portrayed twice in major motion pictures, including the 1985 biopic Sweet Dreams starring Jessica Lange. Several documentaries and stage shows were released during this time, including the 1988 musical Always…Patsy Cline. A 1991 box set of her recordings was issued that received critical acclaim. Her greatest hits album sold over 10 million copies in 2005. In 2011, Cline’s childhood home was restored as a museum for visitors and fans to tour.

Source: Wikipedia

Rascal Flatts Calling It Quits, Announces “Farewell” Tour

Rascal Flatts are calling it quits after 20 years together, but not before getting a chance to say goodbye to their fans on the road. The band announced on “CBS This Morning” they’ll be hitting the road this summer for the year-long “Farewell: Life is a Highway Tour.”

“We’re really looking forward to getting to spend this entire year loving on our fans, and thanking them for allowing us to have the most amazing career over the last 20 years,” Jay DeMarcus shares. “There is no sadness here, just new chapters, new journeys, and new beginnings. Rascal Flatts’ music will live on forever, because of our fans, and this year is all about them!”

Gary Levox adds, “When we started out 20 years ago, we could not imagine all of the people, places and gifts we would encounter,” adding, “I don’t know what God has in store for the future, but I am excited to see what He has planned!”

As for that future, Jay DeMarcus offers, “We make music and that’s what we do. We may do it again someday collectively.” He notes, “We’re not going to sign some pact that says we’re never going to tour again … we all still do love each other, but we do make music and we will probably make some music individually, collectively.”

As for the tour, it kicks off June 11th in Indianapolis, Indiana with dates, so far, confirmed through October 17th in West Palm Beach, California. Check out the first set on dates below and click here for the complete schedule.

June 11: Indianapolis, IN – Ruoff Music Center
June 12: Detroit, MI – DTE Energy Music Theatre
June 13: Cincinnati, OH – Riverbend Music Center
June 25: Chicago, IL – Hollywood Casino Amphitheatre
June 27: Pittsburgh, PA – S&T Bank Music Park
July 18: Dallas, TX – Dos Equis Pavilion
July 23: St. Louis, MO – Hollywood Casino Amphitheatre
September 3: Toronto, Ontario – Budweiser Stage
September 4: Cleveland, OH – Blossom Music Center
September 5: Buffalo, NY – Darien Lake Amphitheater
September 10: Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek

This day in 1980: Kenny Rogers gets seven Grammy nods

Today in 1980, Kenny Rogers has seven Grammy nominations, including “The Gambler” for Record of the Year. Roger’s producer, Larry Butler, was nominated for Producer of the Year.

The Gambler is the sixth studio album by Kenny Rogers, released by United Artists in December 1978. One of his most popular, it has established Rogers’ status as one of the most successful artists of the 1970s and 1980s. The album reached many markets around the world, such as the Far East and Jamaica, with Rogers later commenting “When I go to Korea or Hong Kong people say ‘Ah, the gambler!'” (as per the sleeve notes to the 1998 released box set “Through the Years” on Capitol Records). The album has sold over 35 million copies.

The title track “The Gambler” was written by Don Schlitz, who was the first to record it. It was also covered by several other artists, but it was Kenny Rogers’ adaptation of the tale that went on to top the country charts and win a Song of the Year Grammy, later becoming Rogers’ signature song. Although Johnny Cash recorded the song first, Kenny Rogers’s version was released first. Both this song and “She Believes in Me” became pop music hits, helping Rogers become well-known beyond country music circles. Although largely compiled from songs by some of the music business’s top songwriters, such as Alex Harvey, Mickey Newbury, and Steve Gibb, Rogers continued to show his own talent for songwriting with “Morgana Jones”. The album was produced by Larry Butler.

Its popularity has led to many releases over the years. After United Artists was absorbed into EMI/Capitol in 1980, “The Gambler” was reissued on vinyl and cassette on the Liberty Records label. Several years later, Liberty issued an abridged version of the album, removing the track “Morgana Jones”. EMI Manhattan Records released “The Gambler” on CD in the 1980s. An ‘Original Master Recording’ from Mobile Fidelity Sound Labs was released on vinyl (audiophile edition vinyl). Finally, “The Gambler” was released on Rogers’ own Dreamcatcher Records in 2001 as part of the Kenny Rogers “Original Masters Series.”

In Britain, both the title cut and the album did very well in the country market, but both failed to reach the top 40 of the pop charts. In the 1980s the single of “The Gambler” was re-issued and made the top 100 sales list, but again charted outside the top 40. It wasn’t until the song was re-issued in 2007 when the song was adopted by the England Rugby Team at the Rugby World Cup that it charted at its #22 peak.

Additionally, “I Wish That I Could Hurt That Way Again” was later a single in 1986 for T. Graham Brown, whose version went to #3 on the country charts.

Source: Wikipedia

Maren Morris To Perform With Nashville Ballet

Maren Morris is headed to the ballet. The singer has signed on to perform at the Nashville Ballet’s annual Ballet Ball, taking place February 29th.

Maren will perform alongside the ballet’s professional company, with the event raising money to bring educational dance programming to families in underserved Middle Tennessee communities.

The event, which also features indie singer-songwriter Rayland Baxter, is by invitation only.

ONE MORE THING! In other Maren news…the singer recently took to Instagram to mark the seventh anniversary of her move to Nashville. “7 years ago today, I had short hair, some okay (alright, crap) demos in my pocket and moved into a Craigslist house sight unseen for $350 a month,” she shared. “I wrote with anyone + everyone who’d sit in a room with me. I got better, and I found my tribe of people I loved to create with.” She adds, “Cheers to 7 years, Nashville, and to the friends here I now am lucky to call family.”

 

This day in 2012: Lady Antebellum’s Hillary Scott gets hitched

Today in 2012, Lady Antebellum’s Hillary Scott married drummer Chris Tyrell in upstate New York. They met during Tim McGraw’s “Southern Voice” tour, when Tyrell was Tim’s drummer, and Lady Antebellum opened the show. Later, Tyrell became the drummer for Lady Antebellum, and the couple now shares a family tour bus when the group is on the road.

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