NEW YORK (AP) — Bob Edwards, who anchored National Public Radio’s “Morning Edition” for just under 25 years and was the baritone voice who told many Americans what had happened while they slept, has died.

Edwards, who died Saturday, was 76 years old. NPR had no further details.

He became co-host of “All Things Considered” with Susan Stamberg in 1974 shortly after joining NPR, and was the founding anchor of “Morning Edition” in 1979. He left NPR after being replaced on the show in 2004 — a programming move that led to protests by thousands of listeners — and he joined SiriusXM satellite radio.

Edwards’ deep, commanding voice gave many listeners the impression that he was older than he was. “His was the voice we woke up to,” Stamberg said.

For 12 years, he had regular conversations with veteran sportscaster Red Barber, which led to Edwards’ book, “Friday with Red: A Radio Friendship.”

Edwards would tell listeners about well-known people who were celebrating birthdays. He later found out that his announcement of First Lady Rosalynn Carter’s birthday surprised and saved her husband, President Jimmy Carter, who heard Edwards while out jogging; he had forgotten the birthday.

“I like sitting at the mic and being on the radio,” Edwards said shortly before leaving NPR. “That’s still a kick.”

He wrote a memoir, “A Voice in the Box: My Life in Radio,” and a historical book about the medium, “Edward R. Murrow and the Birth of Broadcast Journalism.”

John Lansing, NPR’s CEO, said Edwards’ former colleagues and listeners will remember him with gratitude.

“Bob Edwards understood the intimate and directly personal connection with audiences that distinguishes audio journalism from other mediums, and for decades he was a trusted voice in the lives of millions of public radio listeners,” Lansing said.

NEW YORK (AP) — The Kansas City Chiefs were crowned victorious over the San Francisco 49ers in this year’s Super Bowl — and, off the field, big-name advertisers competed for viewers’ attention with celebrity-filled, glitzy messages.

Beyoncé broke the internet yet again in a Verizon ad, which was soon followed by a viral music drop. Lionel Messi’s showed off his apparent loyalty to Michelob Ultra. And T-Mobile, e.l.f. cosmetics, Uber Eats and more offered a slew of mini TV show reunions, bringing together cast members from “Suits” to “Friends.”

Despite being an election year in the U.S., there was very little to show for it on Sunday besides an ad by American Values 2024, the super PAC backing Robert F. Kennedy Jr.’s presidential run. It ran a 30-second, retro-styled spot that attempted to lean into his family’s legacy. Kennedy launched his independent bid for the White House last year.

Airing a Super Bowl commercial is no easy feat. On top of the reported $7 million price tag for a 30-second spot during the game, brands enlist the biggest actors, invest in dazzling special effects and try to put together an ad that more than 100 million expected viewers will like — or at least remember.

“Advertisers this year are doing everything they can to try to break through the clutter,” Northwestern University marketing professor Tim Calkins said. “They’re pulling out all the stops.”

On Sunday, scores of advertisers tapped into light humor and nostalgia to give game breaks a mostly “feel good,” whimsical energy. Still, there were also a few serious and somber moments.

Here’s a rundown of what ad-watchers saw in Super Bowl LVIII.

CELEBRITIES EVERYWHERE

Kris Jenner “twists on it” with Oreo. The face behind Pringles’ iconic mustache is unveiled to be none other than Chris Pratt. And Ben Affleck and Jennifer Lopez returned for Dunkin’ cameos, while Ice Spice sips on Starry.

In typical Super Bowl fashion, an array of companies’ adverts were adorned by stars — often with numerous celebrities stuffed in a single spot. T-Mobile, for example, showcased big names like Bradley Cooper, Common, Jennifer Hudson, Laura Dern and “Suits” stars Gabriel Macht and Patrick J. Adams all in one ad for its “Magenta Status” customer appreciation program.

And the “Suits” homecoming didn’t stop there. In another ad stuffed with celebrity cameos — including “Judge Judy” Judy Sheindlin — e.l.f. cosmetics brought together Gina Torres, Rick Hoffman and Sarah Rafferty in a courtroom spoof.

NBC sitcoms had quite a few reunion moments during the game. In an Uber Eats ad, which shows people forgetting things so they remember Uber Eats can deliver a wide variety of items, Jennifer Aniston seemingly forgets she ever worked with her “Friends” co-star David Schwimmer. And in an ad for Mtn Dew Baja Blast, Aubrey Plaza says she can have a ‘Blast’ doing anything — including reuniting with her “Parks and Rec” boss Nick Offerman as they fly on dragons.

Although star power in Super Bowl commercials isn’t new, it did feel especially heightened this year.

“It used to be that you’d have a celebrity pop up that would sort of be the spokesperson of the commercial,” said Virginia Commonwealth University Brandcenter’s Jessica D. Collins. “Now you’re seeing collaborations of celebrities… all in the same commercial, even (when) they have absolutely nothing to do with each other.”

Some brands can pull this off in a smart way — such as tapping into pop culture moments and inside jokes. But experts say that overdoing celeb cameos can take away from the impact of the ad. Viewers may remember what stars they saw in a commercial but not the brand name, University of Minnesota associate professor of marketing Linli Xu notes.

CUTENESS AND NOSTALGIA

It wouldn’t be the Super Bowl without some furry friends. Budweiser, for example, brought back familiar characters to its gameday slot — which shows Clydesdales and a Labrador retriever team up to help the beer brand make the delivery. And Hellmann’s featured the “Mayo Cat.”

But the year’s ads weren’t raining dogs and cats, noted Kimberly Whitler, marketing professor at the University of Virginia’s Darden School of Business.

That didn’t stop advertisers from searching for other ways into viewers’ hearts.

“Everything old is new again,” she said, pointing to successful Super Bowl ads or messages from the past making a return, including ETrade’s talking babies.

The 1980s also made a comeback, Whitler noted, with both T-Mobile and Nerds featuring the theme song from “Flashdance,” while the mullet was at the center of Kawasaki’s spot.

PULLING AT THE HEARTSTRINGS

Both Collins and Calkins said that Google’s spot was among their favorites. The ad followed a blind man as he uses “Guided Frame” — Google’s A.I.-powered accessibility feature for the Pixel camera that uses a combination of audio cues, high-contrast animations and tactile vibrations — to take pictures of the people and places in his life.

The spot was a “perfect balance of emotion and showing off a product benefit,” Collins said, adding that she appreciated how Google spotlighted an audience that isn’t always noticed. “No celebrities, (and it) purely showed what could have been an absolutely real family. Loved it.”

Xu also pointed to Dove’s ad, which focused on how low body-confidence leads to girls quitting sports.

“It’s a powerful message,” she said, in line with Dove’s past campaigns dedicated to body positivity in the past.

SOME SERIOUS MOMENTS

Several other ads took more serious tones. Robert Kraft’s Foundation to Combat Antisemitism, for example, ran an ad featuring Martin Luther King Jr.’s speechwriter Dr. Clarence B. Jones.

“He Gets Us” also returned to the Super Bowl this year. The campaign, which is backed by a group of wealthy Christian donors, aired two ads Sunday night.