LOS ANGELES (AP) — Houston, we have a problem: Where’s Kevin?

Perhaps the ultimate coming-home movie, “Apollo 13,” and the ultimate staying-home one, “Home Alone,” are both being honored this year, selected for preservation in the National Film Registry They’re part of an annual group of 25 that this year spans more than 90 years of filmmaking.

The 2023 collection includes the sci-fi sequel “Terminator 2: Judgment Day,” the Disney animated classic “Lady and the Tramp,” and the searing, Oscar-winning drama “12 Years a Slave.” Just in time for the holidays, “The Nightmare Before Christmas” is included.

The oldest film is from 1921: “A Movie Trip Through Filmland,” a very early look at the impact of movies. The newest are both from 2013: “12 Years a Slave” and the Oscar-winning documentary “20 Feet From Stardom,” about backup singers.

The registry is housed at the Library of Congress, which since 1988 has selected movies for preservation based on their cultural and historic importance. The current picks bring the registry to 875 films — some, but not all, among the 2 million items in the library’s collection. Turner Classic Movies will host a TV special on Thursday, screening a selection of this year’s movies.

A look at some of the films entering the registry

”The Wedding Banquet” (1993): Ang Lee’s romantic comedy about a gay man from Taiwan trying to hide his orientation from his family, featuring an over-the-top wedding banquet.

”Bamboozled” (2000): Spike Lee’s stinging satire about race in entertainment, with Damon Wayans as a program executive at a cable network.

”Maya Lin: A Strong, Clear Vision” (1994): Freida Lee Mock’s Oscar-winning documentary about the artist who created two famous memorials.

“Apollo 13” (1995): Ron Howard’s impeccably told chronicle of the near-tragedy involving U.S astronauts trying to get back to Earth, featuring Tom Hanks and the famous (and slightly altered) quote: “Houston, we have a problem.”

“Desperately Seeking Susan” (1985): Susan Seidelman’s uniquely New York saga featuring Rosanna Arquette and none other than Madonna as the elusive Susan.

“Matewan” (1987): John Sayles’ tale of efforts in 1920 to unionize a company town in West Virginia.

“Home Alone” (1990): Chris Columbus’ holiday classic about, let’s face it, deeply questionable parenting that made wide-eyed Macaulay Culkin — aka Kevin — a star.

“Alambrista” (1977): Robert M. Young’s story of a Mexican migrant laborer in the United States.

“Fame” (1980): A story of students seeking fame at the High School of Performing Arts in New York City, and known for Irene Cara’s version of the title song.

“Lady and the Tramp” (1955): The classic Disney canine love story, featuring surely the most famous spaghetti kiss in animated film.

The Full List

“A Movie Trip Through Filmland” (1921); “Dinner at Eight” (1933); “Bohulano Family Film Collection” (1950s-1970s); “Helen Keller: In Her Story” (1954); “Lady and the Tramp” (1955); “Edge of the City: (1957); “We’re Alive” (1974); “Cruisin’ J-Town” (1975); “Alambrista” (1977); “Passing Through” (1977); “Fame” (1980); “Desperately Seeking Susan” (1985); “The Lighted Field” (1987); “Matewan” (1987); “Home Alone” (1990); “Queen of Diamonds” (1991); “Terminator 2: Judgment Day” (1991); “The Nightmare Before Christmas” (1993); “The Wedding Banquet” (1993); “Maya Lin: A Strong Clear Vision” (1994); “Apollo 13” (1995); “Bamboozled” (2000); “Love & Basketball” (2000); “12 Years a Slave” (2013); “20 Feet From Stardom” (2013).

LOS ANGELES — Greta Gerwig’s “Barbie” dominated the Golden Globe Awards nominations with nine nods for the blockbuster film, including best picture musical or comedy as well as acting nominations for Margot Robbie and Ryan Gosling and three of its original songs.

It was closely followed by its release date and meme companion Christopher Nolan’s “Oppenheimer,” which scored eight nominations, including best picture drama and for actors Cillian Murphy, Robert Downey Jr. and Emily Blunt.

In a statement, Gerwig said she, “can’t wait to bring the Barbie party to the Globes.”

The revamped group, now a for-profit endeavor with a larger and more diverse voting body, announced nominations Monday for its January awards show, after scandal and several troubled years, including one without a broadcast. Cedric the Entertainer and Wilmer Valderrama presided over the announcements from the Beverly Hilton Hotel, where the show will also take place on Jan. 7.

Films nominated for best motion picture drama included “Oppenheimer,” Martin Scorsese’s “Killers of the Flower Moon,” Bradley Cooper’s “Maestro,” Celine Song’s “Past Lives,” Justine Triet’s “Anatomy of a Fall” and Jonathan Glazer’s “The Zone of Interest.”

In the best motion picture musical or comedy category, “Barbie” was joined by “Air,” “American Fiction” “The Holdovers,” “May December” and “Poor Things.”

Yorgos Lanthimos’ “Poor Things” and Scorsese’s “Killers of the Flower Moon” both received seven nominations each. “Poor Things” saw nominations for Lanthimos, its actors Emma Stone, Mark Ruffalo, Willem Dafoe, and Tony McNamara for screenplay. “Killers of the Flower Moon” got nods for Scorsese, for direction and co-writing the screenplay with Eric Roth, and stars Leonardo DiCaprio, Lily Gladstone and Robert De Niro.

Stone, who was also nominated for the Showtime series “The Curse,” said in a statement that she was “Feeling extremely bewildered and thankful for it all.” She also said her “Poor Things” character Bella Baxter is her favorite.

DiCaprio praised Gladstone in his statement: “She is the soul of our film and helped to bring this sinister and painful part of our nation’s history to life,” he wrote. The film is about the murders of wealthy Osage individuals in Oklahoma in the early 20th century.

“Barbie” tied for second-most nominations in Globes history with “Cabaret,” from 1972. Robert Altman’s “Nashville” remains the record-holder with 11 nominations. It went into the morning as a favorite and got a big boost from its three original song nominations, including “I’m Just Ken,” and one of the year’s new categories, recognizing cinematic and box office achievement. One person who was not nominated was America Ferrera, who delivered the movie’s most memorable monologue.

“Succession” was the top-nominated television program, with nine nods including for series stars Brian Cox, Jeremy Strong, Sarah Snook and Kieran Culkin, followed by Hulu’s “The Bear.”

As always there were some big surprises, like Jennifer Lawrence getting nominated for her bawdy R-rated comedy “No Hard Feelings” for best performance by a female actor in a musical or comedy. She was nominated alongside Robbie, Stone and Fantasia Barrino (“The Color Purple”), Natalie Portman (“May December”) and Alma Pöysti (“Fallen Leaves”).

Barrino heard the news from her husband who she immediately called back to make sure she wasn’t dreaming.

“My voice is shot because I’ve been screaming, crying and just telling God, ‘Thank you.’ I almost allowed fear to hinder me from this role, to keep me from this role,” she told the AP through tears. She’s been on the road for work and said she’s excited to go home and experience it with her children.

“The Color Purple” was expected to do better. The adaption of the stage musical got only two nominations total, both for actors, for Barrino and Danielle Brooks for her supporting performance. Left out was Colman Domingo, who was nominated for best drama actor for “Rustin.”

Cord Jefferson’s comedy “American Fiction” also came up with only two nods, best musical or comedy and for lead actor Jeffrey Wright, who plays a frustrated writer.

“I don’t think it’s totally healthy to think about these things too much, but they’re there, so one does,” Wright told the AP Monday. “I’m really pleased that the film is being recognized more so than my own personal recognition.”

Sofia Coppola’s widely acclaimed “Priscilla” got only one nomination, for actor Cailee Spaeny’s portrayal of Priscilla Presley. Her category mates in best female performance in a drama include Gladstone, Annette Bening for “Nyad,” Sandra Hüller for “Anatomy of a Fall,” Greta Lee for “Past Lives” and Carey Mulligan for “Maestro.”

The Globes won’t have to worry about anyone criticizing its “all male” directors this year, however. Gerwig was nominated as was Celine Song, for her romantic debut “Past Lives,” alongside Nolan, Scorsese, Cooper and Lanthimos.

Netflix got the most nominations overall, with 13 total for a slate which included “Maestro,” “May December” and “Rustin,” followed by Warner Bros., which made “Barbie” and “The Color Purple” with 12.

Ridley Scott’s “Napoleon” was not nominated at all. Instead, its star Joaquin Phoenix was recognized for “Beau is Afraid” in the lead actor comedy/musical category, with Wright, Matt Damon (“Air”), Nicolas Cage “Dream Scenario,” Timothée Chalamet (“Wonka”) and Paul Giamatti (“The Holdovers”). Michael Mann’s “Ferrari,” with Adam Driver, and Wes Anderson’s starry “Asteroid City” also got zero nominations.

The voting body has now grown to 300 members, following backlash to a 2021 report in the Los Angeles Times that found that there were zero Black members in the group that was then composed of only 87 foreign journalists.

Perhaps as a result, there were more international films and actors nominated in prominent categories including the Finnish comedy “Fallen Leaves,” the courtroom thriller “Anatomy of a Fall” and the harrowing Auschwitz drama “The Zone of Interest.”

The 81st Golden Globes will be the first major broadcast of awards season, with a new home on CBS, but no word yet on a host. It’s been tumultuous few years behind the scenes in the aftermath of the L.A. Times report, which also exposed ethical lapses like its members accepting lavish gifts and travel from awards publicists and studios.

The Globes had long been one of the highest-profile awards season broadcasts, second only to the Oscars. Before the pandemic, it was still pulling in around 19 million viewers. The show was touted as a boozy, A-list party, whose hosts often took a more irreverent tone than their academy counterparts.

Some years, the HFPA were pilloried for nominating poorly reviewed films with big name talent with hopes of getting them to the show, the most infamous being “The Tourist,” with Angelina Jolie and Johnny Depp. In the past decade, they’ve more often overlapped with the Oscars.

This year, NBC’s Tuesday night broadcast got its smallest audience ever for the ceremony, with 6.3 million viewers.