SAN FRANCISCO (AP) — When it comes to dealing with a Florida college student who uses public data and social media to track the private jets of billionaires, politicians and other celebrities, Taylor Swift apparently can’t just shake it off.

In late December, Swift’s camp hit Jack Sweeney, a junior studying information technology at the University of Central Florida, with a cease-and-desist letter that blamed his automated tracking of her private jet for tipping off stalkers as to her location. In the letter, attorneys from the law firm Venable accused Sweeney of effectively providing “individuals intent on harming her, or with nefarious or violent intentions, a roadmap to carry out their plans.”

Sweeney provided the link to that letter in an email to The Associated Press. In that message, he emphasized that while he has never intended to cause harm, he also believes strongly in the importance of transparency and public information.

“One should reasonably expect that their jet will be tracked, whether or not I’m the one doing it, as it is public information after all,” he wrote.

A spokesperson for Swift echoed the legal complaint, saying that “the timing of stalkers” suggests a connection to Sweeney’s flight-tracking sites. The spokesperson did not respond to questions seeking elaboration of that charge, such as whether stalkers have been seen waiting for Swift at the airport when her plane arrived or, alternatively, if there is evidence that stalkers have somehow inferred Swift’s subsequent location from the arrival time of her flight.

The legal letter likewise accuses Sweeney of “disregarding the personal safety of others”; “willful and repeated harassment of our client”; and “intentional, offensive, and outrageous conduct and consistent violations of our client’s privacy.”

Such statements are difficult to square with the fact that Sweeney’s automated tracking accounts merely repackage public data provided by the Federal Aviation Administration, a government agency. That fact did not dissuade the Venable attorneys, who demanded that Sweeney “immediately stop providing information about our client’s location to the public.”

The Swift spokesperson did not reply to a question inquiring whether the attorneys had issued the same demand to the FAA.

At one point Sweeney had more than 30 such accounts on Twitter, now known as X after Elon Musk purchased the site for $44 billion in 2022. Musk subsequently had his own dustup with Sweeney, tweeting at one point that his commitment to free speech required him not to ban Sweeney’s @elonjet account even though he considered it “a direct personal safety risk.”

But it wasn’t long before Musk abruptly about-faced and effectively banned the student from X, accusing Sweeney of endangering his personal safety.

LAS VEGAS (AP) — Amid warnings about counterfeit goods, human trafficking and illegal drones at the Super Bowl in Las Vegas, federal, state and local security officials said Monday they’re preparing for a busy week in the air, at airports, at Allegiant Stadium and in merchandise shops as crowds arrive for the NFL championship game.

Representatives from agencies including Homeland Security, Customs and Border Protection and the Transportation Security Administration — accompanied by a bomb-sniffing beagle named Ozzie — briefed the media at Harry Reid International Airport about their plans to counter such illegal activity.

The officials displayed a table piled high with knockoff sports memorabilia including jerseys, T-shirts, caps, beanies and a sparkling silver replica of the Vince Lombardi Super Bowl trophy.

“The merchandise you see on display today is nothing compared to the millions of fake goods that criminals will try to sell online, on the street and through other unauthorized sources,” said Cheryl Davies, lead Super Bowl field coordinator for U.S. Customs and Border Protection. “Our message is clear: Don’t buy this stuff.”

“We have collectively surged resources in the months leading up to the Super Bowl to identify and target individuals illegally importing counterfeit goods into the United States,” said Christopher Miller, Homeland Security Investigations agent in charge in Las Vegas.

Investigators seized nearly $1 million worth of counterfeit merchandise from four locations just during the last weekend, Nevada Attorney General Aaron Ford said after the briefing. He declined to provide details, saying investigations were continuing.

The air around Allegiant Stadium next Sunday has been designated by the Federal Aviation Administration as a “no drone zone.” Takeover signals and jammers will be used if necessary, said Karen Burke, TSA Nevada security director.

Commercial air operations at nearby Harry Reid Airport are not expected to be affected. But Davies said customs agency Blackhawk and A-star helicopters will be aloft to protect airspace and enforce no-fly zones.

Ralph Lepore, an airport administrator with the Clark County Department of Aviation, focused on efforts to stem human trafficking, which he said was neither new nor exclusive to big events.

“We’re reminding all our employees, partners and guests to be alert and act if they see something suspicious,” he said. “It’s extremely important.”

Burke noted that TSA officers were trained to spot human trafficking and that extra agents will be added to handle record post-game crowds expected to top more than 100,000 passengers a day early next week at Harry Reid airport. She promised that every lane of every airport security checkpoint will be open nonstop for 48 hours after the Super Bowl ends.

LOS ANGELES (AP) — Taylor Swift won album of the year at the Grammy Awards for “Midnights,” breaking the record for most wins in the category with four.

She began her speech by thanking her producer and friend Jack Antonoff and added, “I would love to tell you this is the happiest moment of my life,” she told the crowd, but said she feels this happy when she creates music and plays shows.

Earlier in the night, Taylor Swift used her 13th Grammy win on Sunday to announce her new album, “The Tortured Poets Department,” will arrive April 19.

“I know that the way that the Recording Academy voted is a direct reflection of the passion of the fans,” she said while accepting the best pop vocal album award. “So, I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years.”

One of the night’s biggest awards, record of the year, went to Miley Cyrus for “Flowers,” her second-ever Grammy and second of the night.

“This award is amazing. But I really hope that it doesn’t change anything because my life was beautiful yesterday,” she said in her speech.

Victoria Monét won best new artist. “Thank you to the champagne-servers tonight,” Monét began her acceptance speech. “Thanks to my mom, a single mom raising this really bad girl.” Then she started to cry, telling the room that this award was “15 years in the making.”

Billie Eilish won song of the year for writing the “Barbie” hit, “What Was I Made For?” She thanked director Greta Gerwig for “making the best movie of the year.”

It was just one of several standout moments from Sunday’s show, hosted by Trevor Noah and broadcast live from Cypto.com Arena in downtown Los Angeles.

Karol G made Grammy history Sunday by becoming the first female performer to win best música urbana album for her blockbuster “Mañana Será Bonito” record.

“This is my first time at the Grammys,” she told the audience in English. “And this is my first time holding my own Grammy.”

Performances were many. Olivia Rodrigo brought her bloodsucking ballad “vampire” – or in this case, bloodletting, as red liquid dripped from the walls behind her. Joni Mitchell, 80, made Grammy history by performing “Both Sides Now” from her 1969 album “Clouds”; Travis Scott did a medley of “My Eyes,” “I Know?,” and “Fein.” Burna Boy was joined by Brandy and 21 Savage and did “On Form,” “City Boys,” and “Sittin’ on Top of the World.”

A long and touching In Memoriam segment celebrated many of the musical greats lost last year. Stevie Wonder performed “For Once in My Life” and “The Best Is Yet To Come” in honor of Tony Bennett; Annie Lennox delivered “Nothing Compares 2 U” for Sinéad O’Connor. “Artists for ceasefire, peace in the world,” Lennox said at the end of the song, her fist extended in the air.

Jon Batiste did a medley of “Ain’t No Sunshine,” “Lean On Me,” and finally “Optimistic” with Ann Nesby for the late great music exec Clarence Avant. Oprah introduced a fiery Tina Turner tribute of “Proud Mary” by Fantasia Barrino and Adam Blackstone.

SZA also took the stage – performing a medley of her larger-than-life hits “Snooze” and “Kill Bill,” joined by dancers wielding katanas. Later, she’d take home the trophy for best R&B song — for “Snooze,” handed to her by Lizzo. SZA ran to the stage and gave a charming, out of breath speech because she was “changing, and then I took a shot.”

Luke Combs’ delivered a heartfelt rendition of “Fast Car” with Tracy Chapman – his cover of the Chapman classic has dominated country radio and won him song of the year at the 2023 CMAs. In 1989 the song won Chapman best female pop vocal performance.

Dua Lipa opened the show with a high-octane medley: first, a tease of her forthcoming single, “Training Season,” then, her most recent single, “Houdini,” and finally, her disco-pop “Barbie” hit “Dance the Night.”

Eilish and Finneas also brought “Barbie” to the Grammys stage with live string accompaniment. They were followed by Cyrus, who performed “Flowers” for the first time live on television.

“Why are you acting like you don’t know this song?” she teased the crowd — John Legend and wife Chrissy Teigen were among those in the audience who got up to dance — and later cheered mid-song, “I just won my first Grammy!”

Best country album went to Lainey Wilson for “Bell Bottom Country,” — her very first Grammy — as presented by Kacey Musgraves. “I’m a fifth-generation farmer’s daughter,” she told the crowd, adding that she’s a “songwriting farmer,” and that’s where the musical magic came from.

Jay-Z was awarded the Dr. Dre Global Impact Award and used his speech to talk about the hip-hop greats that came before him – and heavily suggesting at the Grammys history of placing rap on the backburner – or at the very least, not in the televised version of the show. (This year, there were no rap categories on the telecast, but two pop, one Latin, one country and one R&B.)

“We want you all to get it right,” he said. “At least get it close to right,” before switching focus to Beyoncé. “Most Grammys, never won album of the year. How does that work?”

Bridgers took an early lead at the Grammys, quickly winning four trophies ahead of the main telecast, with her and her boygenius bandmates bringing an infectious energy to the pre-telecast Premiere Ceremony.

Jack Antonoff took home producer of the year, non-classical for a third year in a row, tying Babyface as the only other producer to do so consecutively. “You need the door kicked open for you,” he said in his acceptance speech. “Taylor Swift kicked that (expletive) door open for me,” he said.

The first of three new categories in 2024, best pop dance recording, went to Kylie Minogue for “Padam Padam” — her first win in 18 years.

About 80 Grammys were handed out pre-broadcast. Regional Mexican star Peso Pluma won his first Grammy for his first and only nomination, for best música Mexicana album for his “Genesis.”

Best African music performance, a new category which aims to highlight regional musical traditions and recognizing “recordings that utilize unique local expressions from across the African continent,” went to South African singer Tyla for her ubiquitous hit, “Water.”

“I never thought I’d say I won a Grammy at 21 years old,” she said in her acceptance speech. “Last year God decided to change my whole life.”

Killer Mike won three awards in quick succession Sunday night, but ended up in police custody before the main Grammys ceremony began because of an altercation, police spokesperson Officer Mike Lopez said.

The rapper won his first first Grammy in 21 years, for best rap performance for “Scientists & Engineers,” which featured André 3000, Future and Eryn Allen Kane. Soon afterward, they won for “best rap song.” Killer Mike also took home best rap album for “Michael,” cheering, “It is a sweep! It is a sweep!”

Billy Joel was both the penultimate and final performance of the night. First, he brought his new track “Turn the Lights Back on” — his first new music in decades — live to the Grammy stage. Then, after album of the year was announced, he returned to the stage for his 1980 classic, “You May Be Right.”

A welcome surprised was the inclusion of Celine Dion, who handed Swift her record-breaking trophy. “When I say I’m happy to be here, I really mean it from my heart,” she told the audience. In 2022, Dion revealed she was diagnosed with a rare neurological disorder called stiff person syndrome, which causes spasms that affect her ability to walk and sing.