PHILADELPHIA (AP) — Federal authorities have released more details and unsealed charges in the theft of more than 2 million dimes earlier this year from a tractor-trailer that had picked up the coins from the U.S. Mint in Philadelphia.

The truck driver was bound for Miami when he pulled into a parking lot to sleep on April 13. During the night, thieves made off with a portion of its cargo of $750,000 in dimes, a shipment weighing about six tons, authorities had said earlier.

Thousands of coins were left scattered all over the lot in northeast Philadelphia.

The Philadelphia Inquirer reports that prosecutors contend that the theft — which they now say totaled $234,500 in stolen dimes — was part of a spree of robberies from tractor-trailers passing through the region that also netted the thieves frozen crab legs, shrimp, meat, beer and liquor.

Detectives said at the time that surveillance video showed six men, dressed in gray hoodies and armed with bolt cutters, approaching the truck in the middle of the night and breaking into it, then loading the coins into smaller bags and into a waiting truck.

The indictment unsealed Friday alleges that after the theft, thousands of dimes were converted into cash at coin machines in Maryland or through deposits to at least four different suburban Philadelphia banks, the newspaper reported.

Four Philadelphia men — 25-year-old Rakiem Savage, 31-year-old Ronald Byrd, 30-year-old Haneef Palmer and 32-year-old Malik Palmer — face conspiracy, robbery, theft of government money and other charges.

Messages seeking comment on the charges were sent Monday to attorneys for Savage and Malik Palmer; court documents don’t list attorneys for Byrd and Haneef Palmer, and a message could not be left at a number listed for the latter.

NEW YORK (AP) — In a movie match-up almost as unlikely as “Barbie” and “Oppenheimer,” Martin Scorsese took on Taylor Swift in cinemas over the weekend. And while the box office belonged for a second time to “Taylor Swift: The Eras Tour,” Scorsese’s “Killers of the Flower Moon” got off to a strong start in Apple Studios’ first major theatrical gambit.

After a record-breaking opening weekend of $92.8 million, “Taylor Swift: The Eras Tour” took in an estimated $31 million over the weekend from 3,855 locations, according to AMC Theaters. In an unconventional deal, the theater chain is distributing Swift’s concert film, and playing it only Thursdays through Sundays.

Most Swifties rushed to see the film on opening weekend, when a large percent of sales were driven by advance ticketing. Sales dropped a steep 67% in its second weekend, potentially signifying that “The Eras Tour” was predominantly an opening-weekend phenomenon.

But “The Eras Tour” has still proved to be a movie event unlike any other. Within days, it became the highest grossing concert film ever in North America, not accounting for inflation. It’s quickly accumulated $129.8 million domestically.

More was riding on “Killers of the Flower Moon,” a historical crime drama about a string of murders against the Osage nation in the early 1920s. The film, which cost at least $200 million to make, is the largest production yet from Apple Studios. The streamer partnered with Paramount Pictures to release Scorsese’s adaptation of David Grann’s bestseller in 3,628 theaters, with plans to later stream it on a not-yet-announced date on Apple TV+.

“Killers of the Flower Moon” debuted with $23 million, marking the third best opening for the 80-year-old Scorsese, following “Shutter Island” ($41 million in 2010) and “The Departed” ($26.9 million in 2006). Though Scorsese’s latest opus, starring Leonardo DiCaprio, Lily Gladstone and Robert De Niro, will have a hard road to reaching profitability, it’s a successful launch for a 206-minute-long adult-skewing drama – a type of movie that, outside “Oppenheimer,” has struggled mightily at the box office in recent years.

And “Killers of the Flower Moon,” with rave reviews, an “A-” CinemaScore from audiences and the backing of a robust Oscar campaign, should continue to play well over the long haul. It added $21 million overseas.

“Killer of the Flower Moon” also marks the best wide-release debut for a film from a streaming company. While Netflix (which backed Scorsese’s last narrative feature, “The Irishman,” in 2019) has charted a mostly limited approach to theatrical release, Apple and Amazon, which last year closed its purchase of MGM, have pursued more expansive theatrical strategies.

Earlier this year, Apple said it plans to spend $1 billion a year making movies that will have theatrical releases before reaching its streaming service. Apple is also behind Ridley Scott’s upcoming “Napoleon,” with Joaquin Phoenix, which Sony Pictures will distribute Nov. 22; and has partnered with Universal for Matthew Vaughn’s “Argylle,” due out Feb. 2.

Paramount had initially signed on to produce and distribute “Killers of the Flower Moon,” but transitioned into the deal with Apple when costs of project — shot during the pandemic — rose.

“If ‘flexibility’ is the new mantra of the theatrical movie business, then this is a significant success — it establishes a viable option for the companies,” David A. Gross, who runs the movie consulting firm Franchise Entertainment Research, said of the “Killers of the Flower Moon” launch.

As dissimilar as “Taylor Swift: The Eras Tour” and “Killers of the Flower Moon” are, they’re alike in their extended run times. A double feature of the weekend’s top two movies would have taken six hours and 14 minutes, not counting ads and trailers.

“Killers of the Flower Moon” also reeled in more young moviegoers than one might have expected. Paramount said 44% of ticket buyers were under the age of 30.

“Exorcist: The Believer,” the horror sequel directed by David Gordon Green, came in a distant third with $5.6 million in its third weekend of release. The Universal, Blumhouse film has grossed $54.2 million domestically.

“PAW Patrol: The Mighty Movie” came in at No. 4 with $4.5 million in its fourth weekend. The fifth spot went to the rerelease of Tim Burton’s “The Nightmare Before Christmas,” which collected $4.1 million 30 years after it first landed in theaters.

Estimated ticket sales for Friday through Sunday are for U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Taylor Swift: The Eras Tour,” $31 million.

2. “Killers of the Flower Moon,” $23 million.

3. “The Exorcist: Believer,” $5.6 million.

4. “Paw Patrol: The Mighty Movie,” $4.5 million.

5. “The Nightmare Before Christmas,” $4.1 million.

6. “Saw X,” $3.6 million.

7. “The Creator,” $2.6 million.

8. “Leo: Bloody Sweet,” $2.1 million.

9. “A Haunting in Venice,” $1.1 million.

10. “The Blind,” $1 million.

LOS ANGELES (AP) — Britney Spear’s highly anticipated memoir “The Woman in Me” will be released Tuesday. In it, the pop superstar gives her personal take on events that have made headlines for decades. They include her relationship with Justin Timberlake and the emotional challenges of an abortion and painful breakup. The Associated Press obtained a copy of the book Thursday. The book also discusses the custody fight with ex-husband Kevin Federline that helped lead to a public meltdown that would end with the courts, and her father, taking control of her life. There is plenty of positivity in “The Woman in Me” too, including discussions of the origins of her hits and a dedication to her two sons.